As a woman in art, I have never felt that it posed a particular challenge to face the predominant presence of male artists – a notion that probably
has its deeply felt origin in the fact that I cannot tell what greater challenge there might be than art itself. Expressing feelings, thoughts and attitudes through female beauty and aesthetics,
results in various depictions of portraits or figures of women in my works, which give a clear statement that they neither need to explain nor to proclaim anything,
but that they naturally and self-evidently take an important part in the world – and in the world of art, in particular – and surround themselves with an air of
languorous intellectuality and sensual awareness of themselves. This is a very inner view. And, in a way, my paintings are predominantly the expression of an inner view.
At least up to this point in time.
